Over the years, sound effects and music have been used to make video game experiences more memorable or immersive. Smart phones and mobile technologies have allowed developers to further explore the role of sound in their games. One recent release from House on Fire titled The Silent Age allows players to lead their character on a time-traveling journey where sound creates an unusual and eerie atmosphere. Learn more about the game in this episode with Nevin Eronde and Thomas Ryder.

If you’d like to try The Silent Age find it in the iTunes App store.

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Episode 1 Trailer:

Episode 2 Screenshots:

Read updates on Episode 2 on The Silent Age blog.

This episode featured the following audio from freesound.org:
‘Orchestra Tuning2.wav’ by gelo_papas

Rafael Atijas grew up with a passion for music. When he decided to begin playing an instrument he settled on an instrument that was easier for him to learn. While he was at NYU, Rafael developed an idea for a new guitar to help making learning music less intimidating for young players. Learn more about Loog guitars and some of the challenges faced in the early development of the company.

Electronic music is often viewed as a musical genre that stands separate from other genres. However, since the invention of the Telharmonium, electronic instruments have been integrated into various styles of music as well as our lives in general. Learn about the early development of electronic music with Thom Holmes, as he explains his collection of electronic music that spans from 1930 – 1985, electronic instruments, tape composition, and Motown’s neglected Moog synthesizer.

Music featured:

• Leon Theremin – The Swan (Camille Saint-Saëns)
• Fred Feibel – I want to be Happy
• Herb Kern, Lloyd Sloop, and unknown vocalist – Beautiful Ohio

Note from Thom: “This happens to feature a Hammond organ and a Hammond Novachord played at the same time, although the standard Hammond dominates the music. It is the opening instrument with the vibrato effect. The Novachord is used for a few breaks and novel sounds. ”

• Booker T. and the MG’s – Green Onions
• Morton Subotnik – The Wild Bull

Note from Thom: Morton Subotnick composed this commission from Nonesuch Records using the Buchla synthesizer and tape. Note the used of sequences and repeating patterns, made easy the Buchla’s on-board sequencer.

• The Zodiac: Cosmic Sounds – Scorpio

Note from Thom: Produced by Mort Garson and featuring a number of session musicians including Paul Beaver on Moog modular synthesizer. This is the first commercial record release to feature the Moog.

• Ray Cathode – Waltz in Orbit
• Wendy Carlos – Bach’s Brandenburg Concerto No. 3 in G Major, First Movement

Note from Thom: This is still the gold standard for Moog Modular multitrack recording. This is the version of Bach’s “Brandenburg Concerto No. 3 in G Major, First Movement” as released on the album Switched-on Bach by Wendy Carlos.

• Rick Powell – Ruby, Don’t Take Your Love to Town

Note from Thom: Rick Powell and the Moog, recorded in Nashville. From the LP Switched-On Country. Note his skill at multitracking and using a variety of Moog voices, particularly to emulate plucked strings, and the modulated voice/breath sound to suggest the verses of the song.

• Four Tops – Still Waters (Love)
• Stevie Wonder – Easy Goin’ Evening (My Mama’s Call)